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Glass Frame : NAST: TWEED CARTOON, 1870. The Power Behind the Throne
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NAST: TWEED CARTOON, 1870. The Power Behind the Throne
NAST: TWEED CARTOON, 1870.
The Power Behind the Throne. Cartoon, 1870, by Thomas Nast attacking Boss William M. Tweed as the sinister power behind the throne of Governor John T. Hoffman of New York
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Media ID 12322416
1870 Corruption Crown Employer Ermine Globus Cruciger Governor Hoffman Kingdom Magear Marcy Nast New York Politics Robe Satire Scepter Tammany Throne Tweed William
7"x5" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 12.7cm x 17.7cm (5" x 7")
Estimated Product Size is 16.2cm x 20.3cm (6.4" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
The print titled "NAST: TWEED CARTOON, 1870. The Power Behind the Throne" captures a powerful political satire by Thomas Nast. Created in 1870, this cartoon takes aim at Boss William M. Tweed and his corrupt influence over Governor John T. Hoffman of New York. In the image, Tweed is depicted as the sinister force behind the throne, symbolizing his control over Governor Hoffman's decisions and actions. Dressed in regal attire with a crown on his head and an ermine robe draped around him, Tweed exudes an air of authority and dominance. He holds a scepter in one hand while clutching an orb representing power in the other. Surrounding Tweed are symbols of corruption and manipulation commonly associated with Tammany Hall politics during that era. The cartoon features references to key figures such as Marcy Magear and Martin Van Buren, highlighting their involvement in this web of deceit. Through this biting satire, Nast exposes the rampant corruption within New York's political landscape at that time. His artwork serves as a scathing critique of those who abused their positions for personal gain rather than serving the interests of the people they were elected to represent. This print offers viewers a glimpse into history while reminding us of the enduring relevance of political accountability and transparency today.
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