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Glass Frame : DEPRESSION CARTOON. American cartoon by Otto Soglow showing a capitalist hanging from a rope in the shape of 1929, the year of the Stock Market crash
Mounted Prints from Granger
DEPRESSION CARTOON. American cartoon by Otto Soglow showing a capitalist hanging from a rope in the shape of 1929, the year of the Stock Market crash
DEPRESSION CARTOON.
American cartoon by Otto Soglow showing a capitalist hanging from a rope in the shape of 1929, the year of the Stock Market crash
Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age
Media ID 6252643
1929 Capitalism Collision Commerce Crisis Event Finance Great Depression Hanging Noose Otto Political Acts Rope Suicide Wall Street
7"x5" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 12.7cm x 17.7cm (5" x 7")
Estimated Product Size is 16.2cm x 20.3cm (6.4" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This thought-provoking print captures the essence of the Great Depression in a single frame. Created by renowned American cartoonist Otto Soglow, this powerful image depicts a capitalist hanging from a rope shaped like the year 1929, symbolizing the devastating Stock Market crash that triggered one of the darkest periods in American history. The cartoon cleverly portrays the collision between capitalism and economic turmoil during this early 20th century crisis. The use of a noose as a metaphor for suicide highlights the desperation and despair felt by many individuals who lost everything in the aftermath of Black Tuesday. Soglow's artistic prowess is evident in his ability to convey complex political acts through simple yet impactful illustrations. By focusing on Wall Street, where financial powerhouses once stood tall but now lay shattered, he draws attention to how commerce and finance were at the heart of this catastrophic event. As we reflect upon this historical moment captured within these frames, it serves as a reminder that even mighty structures can crumble under economic pressure. This artwork invites us to contemplate not only past events but also their relevance today, urging us to question our own systems and strive for resilience in times of crisis.
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