Cherubino Alberti Collection
Cherubino Alberti, a renowned Italian artist of the late 16th and early 17th centuries, left an indelible mark on the art world with his exquisite creations
All Professionally Made to Order for Quick Shipping
Cherubino Alberti, a renowned Italian artist of the late 16th and early 17th centuries, left an indelible mark on the art world with his exquisite creations. From his skillful portrayal of mythological figures to his captivating allegorical compositions, Alberti's works continue to captivate viewers even today. In "An Archer Shooting a Crossbow" (1579), we witness Alberti's mastery in capturing movement and precision. The tension in the archer's stance is palpable as he takes aim at an unseen target, showcasing both strength and focus. Moving forward to "A Blessed Spirit" (1591), we are transported into a realm where spirituality meets ethereal beauty. This piece exudes tranquility as a celestial figure hovers gracefully amidst heavenly clouds, emanating serenity and divine grace. Alberti's talent for symbolism shines through in "An Allegorical Figure: Virtutis Praemium" (1628). Here, he presents us with an embodiment of virtue being rewarded. The figure stands tall, adorned with laurel wreaths that symbolize triumph over adversity—a reminder of the importance of perseverance and moral integrity. In "Truth and Justice, " Alberti explores themes that transcend time. Through meticulous brushwork, he depicts two powerful figures embodying these virtues—truth represented by a woman holding scales while justice is personified by another female figure wielding a sword. Their presence serves as a reminder that truth must prevail for justice to be served. One cannot overlook Alberti's ability to breathe life into religious subjects such as "Saint John the Baptist" (1591). With delicate strokes, he captures Saint John's spiritual intensity while infusing the painting with rich colors that evoke reverence and devotion. Alberti also delves into mythology in pieces like "Genius with the Medici Coat-of-Arms" (1605) where he portrays genius embracing Cupid under the watchful gaze of Jupiter.