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Ancient Lights Dispute
Screens blacking out some of the office windows of Adelaide House, next to The Anglican church of St Magnus-the-Martyr, during a legal dispute over ancient lights, 14th May 1929. The original building on Lower Thames Street in the the City of London, was destroyed in the the Great Fire of London in 1666, and was rebuilt to a design by Sir Christopher Wren over the subsequent decade. (Photo by MacGregor/Topical Press Agency/Hulton Archive/Getty Images)
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MacGregor
Media ID 18360937
© 2009 Getty Images
7"x5" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 12.7cm x 17.7cm (5" x 7")
Estimated Product Size is 16.2cm x 20.3cm (6.4" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This photograph captures a momentous event in the heart of London's financial district. Taken on May 14th, 1929, it showcases the intriguing "Ancient Lights Dispute" that unfolded at Adelaide House, nestled next to the magnificent Anglican church of St Magnus-the-Martyr. The image reveals several office windows partially obscured by screens, symbolizing an ongoing legal battle over ancient lights. These disputed rights refer to the access of natural light through specific windows and their impact on neighboring properties. The controversy surrounding this matter highlights the intricate balance between preserving historical structures and accommodating modern development. Adelaide House itself holds a rich history as it stands upon Lower Thames Street, which was ravaged during the devastating Great Fire of London in 1666. Following its destruction, renowned architect Sir Christopher Wren meticulously reconstructed this architectural gem over ten years. In this photograph captured by MacGregor from Topical Press Agency/Hulton Archive/Getty Images, one can sense both the weight of tradition and progress colliding within these walls. It serves as a reminder that even amidst bustling city life and ever-changing landscapes, echoes of past conflicts continue to shape our present-day world. This remarkable print offers viewers a glimpse into a pivotal moment where legal intricacies intersect with architectural heritage—an enduring testament to humanity's ceaseless quest for equilibrium between preservation and innovation.
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