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Glass Frame : Stopper from a canpoic jar in the form of the head of Duamutef, New Kingdom (ceramic)
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Stopper from a canpoic jar in the form of the head of Duamutef, New Kingdom (ceramic)
XIR238655 Stopper from a canpoic jar in the form of the head of Duamutef, New Kingdom (ceramic) by Egyptian 19th Dynasty (c.1292-1187 BC); Louvre, Paris, France; (add.info.: used with jar containing the stomach during mummification; ); Egyptian, out of copyright
Media ID 22662098
© Bridgeman Images
Afterlife C12th Funerary Jackal Ramesside Period C13th Religious Object
8"x6" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 8x6 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 15.2cm x 20.3cm (6" x 8")
Estimated Product Size is 17.7cm x 22.8cm (7" x 9")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases a remarkable artifact from ancient Egypt - a stopper from a canopic jar in the form of the head of Duamutef. Created during the New Kingdom period, specifically by the Egyptian 19th Dynasty (c. 1292-1187 BC), this ceramic masterpiece is now housed in the prestigious Louvre Museum in Paris, France. Duamutef, one of the four sons of Horus, was often depicted with a jackal's head and played an essential role in ancient Egyptian funerary practices. This particular stopper would have been used to seal a canopic jar containing the stomach during mummification rituals. The craftsmanship exhibited on this piece is truly awe-inspiring. The intricate details carved into the ceramic bring Duamutef's jackal features to life, showcasing both artistic skill and religious symbolism. Its preservation over centuries allows us to appreciate its significance as not just an archaeological find but also as a testament to ancient Egyptian beliefs surrounding death and afterlife. As we gaze upon this photograph, we are transported back thousands of years into an era where pottery served not only practical purposes but also held deep spiritual meaning. It serves as a reminder that art has always been intertwined with human culture and spirituality throughout history.
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