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Glass Frame : Study for Leaning Against the Pillars... plate 32 from Jerusalem
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Study for Leaning Against the Pillars... plate 32 from Jerusalem
XCF290935 Study for Leaning Against the Pillars... plate 32 from Jerusalem, 1804-20 (pen and w/c on paper) by Blake, William (1757-1827); Private Collection; English, out of copyright
Media ID 18254815
© Private Collection / Bridgeman Images
8"x6" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 8x6 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 15.2cm x 20.3cm (6" x 8")
Estimated Product Size is 17.7cm x 22.8cm (7" x 9")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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This print titled "Study for Leaning Against the Pillars. . . plate 32 from Jerusalem" by William Blake takes us on a poetic journey through time. The image, created between 1804 and 1820, showcases Blake's mastery of pen and watercolor on paper. In this piece, we are transported to a world where ethereal beauty meets architectural grandeur. A nude female figure leans gracefully against towering pillars within the confines of a cathedral. Her presence exudes both vulnerability and strength as she becomes one with her surroundings. Blake's illustration is not merely an ode to physical form but also a celebration of the power of imagination. Through his brushstrokes, he invites us into a realm where reality intertwines with dreams and visions. It is as if the very essence of poetry has been captured in visual form. The artist's romantic sensibilities shine through in every delicate stroke, evoking emotions that transcend time and place. This study serves as a testament to Blake's ability to transport viewers into realms beyond their own reality. As we gaze upon this mesmerizing artwork, we are reminded that art has the power to ignite our imaginations and inspire us to see beyond what is visible. It reminds us that even within cathedrals made of stone, there exists an intangible magic waiting to be discovered by those who dare to look closer.
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