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Glass Frame : Design 13 for Ode on a Distant Prospect of Eton College from The Poems
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Design 13 for Ode on a Distant Prospect of Eton College from The Poems
XYC215078 Design 13 for Ode on a Distant Prospect of Eton College from The Poems of Thomas Gray, published 1797-98 (w/c with pen & ink on paper) by Blake, William (1757-1827); 41.9x32.4 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright
Media ID 12709189
© www.bridgemanart.com
Front Cover Pinnacles Public School
7"x5" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 12.7cm x 16.3cm (5" x 6.4")
Estimated Product Size is 16.2cm x 20.3cm (6.4" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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This print, titled "Design 13 for Ode on a Distant Prospect of Eton College" takes us on a visual journey through the poetic landscape of Thomas Gray's renowned work. Created by the visionary artist William Blake in 1797-98, this masterpiece combines watercolor and pen & ink to bring Gray's words to life. The scene unfolds with a female figure standing gracefully at the banks of River Thames, her gaze fixed upon the majestic Eton College Chapel. The towering pinnacles reach towards the heavens, symbolizing both the grandeur of education and the aspirations of youth. As we delve deeper into this enchanting illustration, we are transported back in time to an era when public schools held great significance. The front cover design evokes a sense of nostalgia and reverence for tradition while also embracing the romantic ideals that characterized Blake's artistic style. Through his masterful brushstrokes, Blake captures not only the physical beauty but also the emotional essence of Gray's poem. This print serves as an exquisite companion piece to one's exploration of literature and art history alike. Displayed within Yale Center for British Art’s prestigious Paul Mellon Collection, this remarkable artwork continues to inspire generations with its timeless allure. As it resides there, it stands as a testament to both Blake's genius and his profound understanding of how poetry can be translated into visual form.
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