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Glass Frame : Portrait of William Lock II (1767-1847) of Norbury Park, Surrey, c
Mounted Prints from Fine Art Finder
Portrait of William Lock II (1767-1847) of Norbury Park, Surrey, c
XYC159616 Portrait of William Lock II (1767-1847) of Norbury Park, Surrey, c.1800 (oiled charcoal on canvas) by Lawrence, Thomas (1769-1830); 66x48.3 cm; Yale Center for British Art, Paul Mellon Fund, USA; English, out of copyright
Media ID 12733400
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7"x5" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 12.7cm x 17.7cm (5" x 7")
Estimated Product Size is 16.2cm x 20.3cm (6.4" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This portrait captures the essence of William Lock II, a prominent figure in 18th-century England. Painted by renowned artist Thomas Lawrence around 1800, this oiled charcoal on canvas print showcases Lock's dignified presence and refined features. William Lock II was known for his association with Norbury Park, located in Surrey. The estate served as a picturesque backdrop for this portrait, symbolizing Lock's connection to the land and his status as a member of the upper class. Lawrence's meticulous attention to detail is evident in every stroke of his brush. The oval profile composition adds an air of elegance and sophistication to the image, emphasizing Lock's distinguished appearance. Measuring 66x48.3 cm, this artwork now resides at the Yale Center for British Art thanks to the generous contribution from Paul Mellon Fund in USA. Its acquisition ensures that future generations can appreciate both Lawrence's artistic talent and Lock's historical significance. As we gaze upon this remarkable piece, we are transported back in time to an era defined by grace and refinement. It serves as a testament to the enduring power of portraiture and its ability to capture not only physical likeness but also glimpses into one's character and legacy.
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