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Glass Frame : The Virgin as the Woman of the Apocalypse, c. 1623-4 (oil on panel)
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The Virgin as the Woman of the Apocalypse, c. 1623-4 (oil on panel)
3077055 The Virgin as the Woman of the Apocalypse, c.1623-4 (oil on panel) by Rubens, Peter Paul (1577-1640); 64.5x49.8 cm; J. Paul Getty Museum, Los Angeles, USA; (add.info.: Altarpiece of Freising Cathedral in southern Germany. Virgin Mary holds the Christ Child and tramples the serpent of sin. Archangel Michael and angels cast out Satan, the " great red dragon with seven heads, " and other demons. God the Father instructs an angel to place a pair of wings on the Virgins shoulders. ); Flemish, out of copyright
Media ID 18257541
© J. Paul Getty Museum, Los Angeles, USA / Bridgeman Images
Altarpiece Apocalypse Apocalyptic Archangel Armageddon Book Of Revelation Demon Demons Devil Dragon End Of The World Evil God The Father Good Hades Heaven Hell Heroic Purgatory Revelations Satan Many Headed Serpent
7"x5" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 12.7cm x 17.7cm (5" x 7")
Estimated Product Size is 16.2cm x 20.3cm (6.4" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases Peter Paul Rubens' masterpiece, "The Virgin as the Woman of the Apocalypse". Painted in 1623-4, this oil on panel artwork measures 64.5x49.8 cm and is housed at the J. Paul Getty Museum in Los Angeles. At first glance, we see the Virgin Mary holding the Christ Child while triumphantly trampling over a serpent symbolizing sin. Surrounding them are Archangel Michael and angels casting out Satan, depicted as a fearsome seven-headed dragon along with other demons. Instructing an angel to place wings on the Virgin's shoulders is God the Father himself. This altarpiece originally adorned Freising Cathedral in southern Germany and embodies various biblical themes from the Book of Revelation. It portrays a battle between good and evil, showcasing heroic figures fighting against demonic forces. Rubens' mastery of Baroque style is evident through his skillful use of light and shadow to create dramatic effects that enhance the apocalyptic atmosphere portrayed in this painting. The artist's Flemish background shines through with intricate details and rich colors that bring every element to life. "The Virgin as the Woman of the Apocalypse" serves not only as a religious icon but also as a testament to Rubens' artistic genius. Its powerful imagery invites viewers into a world where faith confronts adversity, reminding us of humanity's eternal struggle between sin and salvation.
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