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Glass Frame : The Pont Aven Triptych, 1892-93 (board)
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The Pont Aven Triptych, 1892-93 (board)
XJL62465 The Pont Aven Triptych, 1892-93 (board) by Serusier, Paul (1864-1927); 73x133 cm; Private Collection; French, out of copyright
Media ID 12920793
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Apples Fruit Picking Gathering Harvest Mother And Child Nabis Pont Aven Symbolist Triptyque Post Impressionist
8"x6" Mount with 6"x4" Print
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 17.7cm x 12.7cm (7" x 5")
Estimated Product Size is 20.3cm x 15.2cm (8" x 6")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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The Pont Aven Triptych, 1892-93
EDITORS COMMENTS
is a captivating masterpiece by Paul Serusier that showcases the artist's unique blend of Symbolist and Post-Impressionist styles. This triptych, consisting of three panels measuring 73x133 cm each, depicts a serene scene of fruit picking in the idyllic countryside. In the central panel, we see a mother and child engrossed in their task of gathering apples from lush trees. The vibrant colors and meticulous brushwork bring life to this harvest scene, evoking a sense of abundance and tranquility. The surrounding landscape is bathed in warm sunlight, enhancing the overall atmosphere of serenity. Serusier was part of the Nabis movement centered around Pont Aven in Brittany, France. This artistic group aimed to break away from traditional techniques and explore new forms of expression through bold use of color and simplified shapes. "The Pont Aven Triptych" exemplifies these principles with its flattened perspective and stylized figures. As a symbolist work, this triptych goes beyond mere representation; it conveys deeper meanings through its subject matter. The act of fruit picking becomes symbolic for nurturing relationships between mothers and children or even humanity's connection with nature itself. This print captures every intricate detail found in Serusier's original artwork held within a private collection today. It serves as an excellent reminder not only of his talent but also his significant contribution to art history as one of the pioneers who pushed
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