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Glass Frame : Triptych of Moses and the Burning Bush, left panel depicting Rene I d Anjou
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Triptych of Moses and the Burning Bush, left panel depicting Rene I d Anjou
XIR232840 Triptych of Moses and the Burning Bush, left panel depicting Rene I d Anjou (1409-80) with Mary Magdalene, St. Anthony and St. Maurice, c.1476 (oil on panel) (see also 26542, 173010 & 232841) by Froment, Nicolas (c.1425-c.83/86); St. Sauveur Cathedral, Aix-en-Provence, France; French, out of copyright
Media ID 12767196
© www.bridgemanimages.com
Antoine Donor Duke Of Anjou Ermine Fleur De Lys King Of Naples Marie Marie Madeleine
7"x5" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 12.7cm x 17.7cm (5" x 7")
Estimated Product Size is 16.2cm x 20.3cm (6.4" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This print showcases the left panel of the "Triptych of Moses and the Burning Bush" a masterpiece by Nicolas Froment. The panel depicts Rene I d'Anjou, a prominent figure from history, alongside Mary Magdalene, St. Anthony, and St. Maurice. Painted in 1476 with oil on panel, this Renaissance artwork is housed in the majestic St. Sauveur Cathedral in Aix-en-Provence, France. In this exquisite portrayal, Rene I d'Anjou is seen kneeling before a burning bush while accompanied by his loyal dog and adorned in regal armor embellished with fleur de lys motifs—a symbol of French royalty. His presence exudes power and nobility as he pays homage to this biblical scene. Mary Magdalene stands gracefully beside him, her serene expression reflecting her devotion to faith. Meanwhile, St. Anthony and St. Maurice complete the ensemble with their saintly aura. The intricate details captured by Froment's brushwork are truly remarkable—the delicate folds of fabric, the shimmering ermine fur lining Rene I d'Anjou's robe—all contributing to an atmosphere of opulence and grandeur. As we gaze upon this print, we are transported back in time to witness not only a religious event but also an artistic representation that celebrates both spiritual devotion and aristocratic patronage during the Renaissance period.
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