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Glass Frame : The Crucifixion surrounded by six medallions depicting six episodes from the Passion of
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The Crucifixion surrounded by six medallions depicting six episodes from the Passion of
MMT215660 The Crucifixion surrounded by six medallions depicting six episodes from the Passion of Christ (vellum) by Francesco d Antonio del Chierico (or Cherico) (1433-84); Musee Marmottan Monet, Paris, France; (add.info.: La Crucifixion encadree de six medaillons representant six episodes de la Passion du Christ; ); Italian, out of copyright
Media ID 22381088
© Bridgeman Images
Bordure Decorative Border John Magdalene Oiseaux Oiseau
7"x5" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 12.7cm x 17.7cm (5" x 7")
Estimated Product Size is 16.2cm x 20.3cm (6.4" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases "The Crucifixion surrounded by six medallions depicting six episodes from the Passion of Christ" by Francesco d Antonio del Chierico. The artwork, displayed at the Musee Marmottan Monet in Paris, France, is a stunning example of Italian Renaissance illumination on vellum. In this intricate composition, a central crucifixion scene takes prominence while being encircled by six smaller medallions that depict significant moments from the Passion of Christ. Each episode is meticulously rendered with delicate details and vibrant colors, showcasing the artist's exceptional skill in illuminating manuscripts. The floral decorative border adds an enchanting touch to the overall composition, enhancing its visual appeal. The presence of Mary Magdalene and Virgin Mary alongside Jesus and John further emphasizes the emotional intensity and spiritual significance of this religious narrative. Francesco d Antonio del Chierico's work transports viewers back to Florence during a time when illuminated manuscripts were highly valued for their beauty and religious symbolism. This particular piece was formerly part of Wildenstein collection number 57 before finding its home at Musee Marmottan Monet. As we gaze upon this remarkable print captured by Bridgeman Images, we are reminded of the enduring power and timeless beauty found within Renaissance art. It serves as a testament to both human creativity and devotion to faith throughout history.
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