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Glass Frame : The Lagos-Dahomey Frontier Question, Scenes in the Disputed Hinterland District (litho)
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The Lagos-Dahomey Frontier Question, Scenes in the Disputed Hinterland District (litho)
1615084 The Lagos-Dahomey Frontier Question, Scenes in the Disputed Hinterland District (litho) by Forestier, Amedee (1854-1930) (after); Private Collection; (add.info.: The Lagos-Dahomey Frontier Question, Scenes in the Disputed Hinterland District. Illustration for The Illustrated London News, 8 January 1898.
A Forestier); Look and Learn / Illustrated Papers Collection
Media ID 22555540
© Look and Learn / Illustrated Papers Collection / Bridgeman Images
Benin Border Disputes Dwellings Market Women Nigeria Tents Headman
7"x5" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 12.7cm x 17.7cm (5" x 7")
Estimated Product Size is 16.2cm x 20.3cm (6.4" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This black and white lithograph, titled "The Lagos-Dahomey Frontier Question, Scenes in the Disputed Hinterland District" transports us back to a significant moment in history. Created by Amedee Forestier in 1898, this print captures the essence of a border dispute between Lagos and Dahomey. In this scene, we are presented with a diverse array of characters and settings. The disputed hinterland district is depicted through various dwellings, tents, and gates of Ketu. The artist skillfully portrays the complexity of tribal relations as we see market women going about their daily activities while a native porter carries goods on his head. Amidst this backdrop, we catch glimpses of key figures involved in the conflict. A headman stands tall and authoritative while nearby sits an elegant wife adorned with traditional attire. These individuals symbolize power dynamics at play during such disputes. The print also showcases scenes from everyday life within the region: bustling campsites filled with activity; Benin warriors preparing for battle; Kosoko's presence looming large over proceedings. Forestier's detailed engraving brings these historical events to life before our eyes. It serves as both an educational tool and a testament to the artistic talent that captured moments like these for posterity. As we gaze upon this lithograph from Fine Art Finder's private collection, it reminds us of how art can offer valuable insights into past conflicts and cultural exchanges that have shaped our world today.
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