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Glass Frame : The Land-Campaigner, 1913 (engraving)

The Land-Campaigner, 1913 (engraving)



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£19.16

Resolution may be poor at this size (86 DPI)

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The Land-Campaigner, 1913 (engraving)

XJF867978 The Land-Campaigner, 1913 (engraving) by Werner, Joseph (1637-1710); Private Collection; Swiss, out of copyright

Media ID 12940962

© www.bridgemanart.com

David Lloyd George Insurance Labour Party Legislation Punch Punch Magazine Welsh 1st Earl Of Dwyfor


7"x5" Glass Mount

Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.

Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand

Estimated Image Size (if not cropped) is 12.7cm x 17.7cm (5" x 7")

Estimated Product Size is 16.2cm x 20.3cm (6.4" x 8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


The Land-Campaigner, 1913 - A Satirical Reflection on British Politics

EDITORS COMMENTS
. This engraving by Joseph Werner, titled "The Land-Campaigner, 1913" offers a satirical glimpse into the political landscape of early 20th century Britain. The artwork depicts a scene filled with symbolism and caricatures that reflect the prevailing issues and personalities of the time. At first glance, one cannot help but notice the central figure - a dog representing David Lloyd George, who would later become the influential Prime Minister of Great Britain. Clutching a pot labeled "Insurance Tax" in its mouth, this canine character embodies Lloyd George's role as an advocate for social reform and his controversial introduction of national insurance legislation. Surrounding him are various other figures from British politics, including members of the Labour Party and notable Welsh politicians such as David Lloyd George himself (1st Earl of Dwyfor). Through their exaggerated features and actions, these characters represent different factions within society and their differing views on taxation policies. The intricate details in this engraving highlight not only Werner's artistic skill but also his keen observation of political events. With its clever satire and witty commentary on British politics at that time, "The Land-Campaigner" serves as both an entertaining piece of art and a historical document capturing the spirit of early 20th-century England.

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