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Glass Frame : Vanity, c. 1889 (painting)
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Vanity, c. 1889 (painting)
5320673 Vanity, c.1889 (painting) by Toulmouche, Auguste (1829-90); Private Collection; French, out of copyright
Media ID 22270068
© Bridgeman Images
Admiration Belle Epoque Bourgeoisie Cheval Kiss Looking Glass Narcissism Narcissisme Pink Dress Pride Reflet Stylish Vain Vanity Egotism Self Love
7"x5" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 12.7cm x 17.7cm (5" x 7")
Estimated Product Size is 16.2cm x 20.3cm (6.4" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print captures the essence of vanity and self-love in the late 19th century. Titled "Vanity, c. 1889" this painting by Auguste Toulmouche showcases a young French woman indulging in her own reflection. Adorned in a stunning pink dress, she gazes into the looking glass with an air of pride and admiration. The artist's mastery is evident as he portrays not only the physical beauty of his subject but also her fashionable Parisian style. The Belle Époque era comes to life through every brushstroke, depicting the opulence and sophistication of French society during that time. Intriguingly, this artwork delves deeper into themes such as egotism and narcissism prevalent among the bourgeoisie class. The woman's fixation on herself symbolizes a societal obsession with appearance and self-image. As we delve into this mesmerizing piece, it becomes apparent that Toulmouche skillfully captures both external beauty and internal emotions. This reflection serves as a metaphor for introspection, inviting viewers to question their own relationship with vanity. With its rich historical context and artistic brilliance, "Vanity" transports us back to turn-of-the-century France—a time when fashion reigned supreme and mirrors held secrets untold. It reminds us that while trends may change over time, our fascination with self-admiration remains timeless.
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