Glass Frame : East View of the first floor of Sir Paul Pindars Bishopsgate Street, 1810 (engraving)

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East View of the first floor of Sir Paul Pindars Bishopsgate Street, 1810 (engraving)

XJF275054 East View of the first floor of Sir Paul Pindars Bishopsgate Street, 1810 (engraving) (b/w photo) by Smith, John Thomas (1766-1833); Private Collection; (add.info.: Sir Paul Pindar (c.1565-1650); ); English, out of copyright

Media ID 12790645

© www.bridgemanart.com

Ceiling Chimney Piece Cornice Doorway Fireplace

8"x6" Glass Mount

Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 8x6 print is slotted into the back of the frame so can easily be changed if needed.

Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand

Estimated Image Size (if not cropped) is 15.2cm x 20.3cm (6" x 8")

Estimated Product Size is 17.7cm x 22.8cm (7" x 9")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.

EDITORS COMMENTS
This print takes us back to the year 1810, offering a glimpse into the East View of the first floor of Sir Paul Pindars in Bishopsgate Street. The engraving, skillfully crafted by John Thomas Smith, showcases an exquisite interior that exudes elegance and grandeur. As we explore this domestic setting, our eyes are immediately drawn to the magnificent fireplace at the center of the room. Its ornate design and intricate details make it a true masterpiece of craftsmanship. The flickering flames within seem to dance with delight, casting a warm glow that adds to the inviting atmosphere. The architecture surrounding us is nothing short of impressive. From the intricately carved doorway to the decorative chimney piece, every element has been meticulously designed to create a sense of opulence. The ceiling adorned with an elaborate cornice further enhances this feeling. It is worth noting that this enchanting scene belonged to none other than Sir Paul Pindar himself, who lived during the late 16th century and early 17th century. His residence was undoubtedly a reflection of his status and wealth. Through this remarkable photograph, we are transported back in time, allowing us to appreciate not only its aesthetic beauty but also gain insight into historical architectural styles. This print serves as a testament to both John Thomas Smith's artistic talent and Sir Paul Pindar's legacy as one of London's prominent figures from centuries past

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