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Glass Frame : Memnon with William Scott Up, 1825 (oil on canvas)
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Memnon with William Scott Up, 1825 (oil on canvas)
XYC118534 Memnon with William Scott Up, 1825 (oil on canvas) by Herring Snr, John Frederick (1795-1865); 67.5x84.5 cm; Yale Center for British Art, Paul Mellon Collection, USA; (add.info.: owned by Richard Watt, Esq.; ); English, out of copyright
Media ID 12713181
© www.bridgemanart.com
Doncaster Jockey Leger Racecourse Winner
7"x5" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 17.7cm x 12.7cm (7" x 5")
Estimated Product Size is 20.3cm x 16.2cm (8" x 6.4")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
In this oil on canvas print titled "Memnon with William Scott Up, 1825" artist John Frederick Herring Snr transports us to the thrilling world of horse racing in 19th century England. The painting showcases a momentous event at Doncaster's St. Leger racecourse, where Memnon, an esteemed racehorse, triumphantly carries jockey William Scott to victory. Herring masterfully captures the intensity and energy of the race as Memnon gallops across the canvas with incredible speed and power. The vibrant colors and dynamic brushstrokes bring life to every detail – from the rippling muscles of the magnificent steed to the determined expression on Scott's face. This artwork not only celebrates a specific sporting achievement but also serves as a testament to the timeless allure of horse racing. It reminds us of our fascination with these majestic animals and their extraordinary athletic abilities. Displayed in Yale Center for British Art's prestigious Paul Mellon Collection, this piece holds historical significance beyond its aesthetic appeal. Once owned by Richard Watt, Esq. , it represents a cherished part of equestrian history that continues to captivate audiences today. As we gaze upon this remarkable print by Herring Snr, we are transported back in time – feeling both excitement and admiration for those who dedicated their lives to mastering horsemanship and participating in exhilarating races like St. Leger.
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