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Glass Frame : Shepherdess Seated on a Rock, 1856 (oil on wood)
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Shepherdess Seated on a Rock, 1856 (oil on wood)
3469016 Shepherdess Seated on a Rock, 1856 (oil on wood) by Millet, Jean-Francois (1814-75); 35.9x28.3 cm; Metropolitan Museum of Art, New York, USA; French, out of copyright
Media ID 18261449
© Metropolitan Museum of Art, New York, USA / Bridgeman Images
Barbizon Flock Labor Realism Realist Rest Staff Stick Subsistence
7"x5" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 12.7cm x 17.7cm (5" x 7")
Estimated Product Size is 16.2cm x 20.3cm (6.4" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print titled "Shepherdess Seated on a Rock, 1856" by Jean-Francois Millet captures the essence of rural life in 19th-century France. Painted with meticulous detail and realism, this oil on wood masterpiece measures 35.9x28.3 cm and is housed at the Metropolitan Museum of Art in New York. In this scene, we see a hardworking shepherdess taking a moment to rest amidst her flock of sheep. She sits gracefully on a rock, her worn cloak draped around her shoulders as she leans on her staff for support. The serene expression on her face suggests both weariness from labor and contentment in finding solace within nature's embrace. Millet's realistic portrayal highlights the daily struggles faced by peasants during that era, emphasizing their reliance on subsistence farming for survival. The vast field behind the shepherdess serves as a reminder of the endless toil required to sustain oneself and one's community. The painting belongs to the Barbizon school of art, which sought to capture scenes from everyday life with an emphasis on naturalistic landscapes and honest depictions of working-class individuals. Through his masterful brushstrokes, Millet transports us back in time, allowing us to witness firsthand the beauty found within simple moments like this one. As we gaze upon this remarkable artwork, we are reminded not only of its artistic significance but also of its historical context – an enduring testament to human resilience and our connection with nature.
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