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Glass Frame : Color Olivi, plate 14 from Nova Reperta, engraved by Philip Galle, c. 1580-1605
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Color Olivi, plate 14 from Nova Reperta, engraved by Philip Galle, c. 1580-1605
XJF448291 Color Olivi, plate 14 from Nova Reperta, engraved by Philip Galle, c.1580-1605 (engraving) by Straet, Jan van der (Giovanni Stradano) (1523-1605) (after); Private Collection; (add.info.: The Nova Reperta is a series of prints after designs by Stradanus that celebrate the inventions and developments of the modern age; This image shows the invention of oil paint; ); Netherlandish, out of copyright
Media ID 12883585
© www.bridgemanart.com
Apprentices Easel Master Mixing Nova Reperta Philip Galle Stradanus Workshop Plate 14 St George And The Dragon Van Eyck
7"x5" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 17.7cm x 12.7cm (7" x 5")
Estimated Product Size is 20.3cm x 16.2cm (8" x 6.4")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print, titled "Color Olivi, plate 14 from Nova Reperta" takes us on a journey back in time to the late 16th century. Engraved by Philip Galle and based on the original design by Jan van der Straet (Giovanni Stradano), this artwork is part of a series that celebrates the inventions and developments of the modern age. In this particular image, we witness an important milestone in art history – the invention of oil paint. The scene unfolds within a bustling artist's studio, where a master painter guides his apprentices through the process of mixing pigments using oyster shells. With focused expressions and meticulous movements, they work together to achieve just the right hues for their masterpiece. The room is filled with various tools and materials associated with painting: easels holding canvases in progress, brushes poised for action, and jars containing different colors waiting to be utilized. Amidst this creative atmosphere stands an unfinished painting depicting St George slaying a fearsome dragon – perhaps an homage to renowned Flemish painter Van Eyck. Through this print, we are reminded of how innovations like oil paint revolutionized artistic expression during this period. It serves as both a tribute to past masters who paved the way for future generations and an inspiration for artists today who continue to push boundaries with new techniques.
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