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Glass Frame : Going to Business (Going to the City), c. 1879 (panel)
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Going to Business (Going to the City), c. 1879 (panel)
BAL8503 Going to Business (Going to the City), c.1879 (panel) by Tissot, James Jacques Joseph (1836-1902); 43.8x25.4 cm; Private Collection; French, out of copyright
Media ID 12939190
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Cabby Driver Fiacre Hansom Cab Pygmalion Whip
7"x5" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 12.7cm x 17.7cm (5" x 7")
Estimated Product Size is 16.2cm x 20.3cm (6.4" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
In this print, titled "Going to Business (Going to the City)" we are transported back in time to Victorian London. Painted by the talented James Jacques Joseph Tissot in 1879, this panel captures a moment of bustling city life. The scene unfolds with an air of elegance and sophistication. A well-dressed gentleman sits inside a hansom cab, engrossed in his morning newspaper. His top hat adds a touch of formality to his attire, while the pygmalion on top of the carriage exudes charm and character. As we peer into this snapshot from history, we can almost hear the clip-clop sound of hooves hitting cobblestone streets. The skilled cabby expertly handles his whip as he guides his horse through the busy London thoroughfare. Tissot's attention to detail is remarkable; every line and stroke brings life to each element within the composition. From the intricate patterns on buildings lining the street to subtle expressions on faces passing by, there is an undeniable sense of realism captured here. This print serves as both a visual feast for art enthusiasts and a window into Victorian society for historians. It transports us back in time, allowing us to witness firsthand what it was like going about one's daily business in bustling 19th-century London.
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