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Glass Frame : Stewards Court of the Manor of Torre Devon, pub. 1820 (etching)
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Stewards Court of the Manor of Torre Devon, pub. 1820 (etching)
GHL126480 Stewards Court of the Manor of Torre Devon, pub. 1820 (etching) by Lane, Theodore (1800-28); London Metropolitan Archives, City of London; (add.info.: Bill of Pains and penalties; ); eLondon Metropolitan Archives; English, out of copyright
Media ID 23255046
© London Metropolitan Archives / Bridgeman Images
House Of Lords Peers Queen Caroline Bergami Duke Of Brougham Lord Denman Lushington
7"x5" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 17.7cm x 12.7cm (7" x 5")
Estimated Product Size is 20.3cm x 16.2cm (8" x 6.4")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This black and white etching, titled "Stewards Court of the Manor of Torre Devon" takes us back to the year 1820. The print, created by Theodore Lane, offers a glimpse into a historical event that unfolded in London's City of London. In this scene, we witness an intriguing gathering within the House of Lords. The image showcases several prominent figures from that era, including Duke of Brougham, Alderman Wood, Queen Caroline, Lushington, Lord Denman and others. These individuals are depicted with exaggerated caricature-like features which adds a touch of whimsy to the print. The focal point seems to be a document known as the Bill of Pains and Penalties. This bill was significant at the time as it pertained to Queen Caroline's alleged misconduct involving her relationship with Bartolomeo Bergami. As we delve deeper into this artwork's details, we notice various elements such as peers seated on benches adorned with intricate designs and even a ram symbolizing power or perhaps political maneuvering. Overall, this etching provides us with an intriguing window into history - capturing not only important personalities but also shedding light on significant events that shaped society during that period. It serves as both an artistic representation and historical artifact worth exploring further.
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