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Glass Frame : Protested he must be entirely mistaken, illustration to Pride & Prejudice
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Protested he must be entirely mistaken, illustration to Pride & Prejudice
XJF451385 Protested he must be entirely mistaken, illustration to Pride & Prejudice by Jane Austen, edition published in 1894 (engraving) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: Sir William Lucas telling Mrs. Bennet that Charlotte and Mr. Collins are engaged; Jane Austen (1775-1817); ); British, out of copyright
Media ID 12883871
© www.bridgemanart.com
Announcement Announcing Bennet Bennett Charlotte Collins Edition Engaged Engagement Jane Austen Parlour Pride And Prejudice Proposal Protesting Regency
8"x6" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 8x6 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 20.3cm x 15.2cm (8" x 6")
Estimated Product Size is 22.8cm x 17.7cm (9" x 7")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
EDITORS COMMENTS
The captivating illustration captures a pivotal moment in Jane Austen's beloved novel, Pride & Prejudice. Sir William Lucas, portrayed with utmost elegance and authority, stands before Mrs. Bennet in the opulent interior of a Regency parlour. The engraving, created by Hugh Thomson for an 1894 edition of the book, beautifully depicts this scene from Austen's timeless tale. Sir William appears resolute as he delivers news that is met with disbelief and protestation by Mrs. Bennet. He announces the engagement between Charlotte and Mr. Collins, causing a stir within the Bennett family circle. The characters' emotions are palpable; Mrs. Bennet's face contorts with shock while Sir William maintains his composure amidst her objections. Thomson skillfully captures the essence of each character through their costumes and expressions, transporting viewers to Austen's world of Georgian society and its intricate social dynamics. This enchanting print invites us to immerse ourselves in the story's rich tapestry of love, marriage proposals, and societal expectations. As we gaze upon this masterful artwork from our private collection today - free from commercial use restrictions - we are reminded once again why Pride & Prejudice continues to captivate readers across generations: it is a timeless exploration of human nature set against the backdrop of an era defined by manners and conventions.
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