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Glass Frame : The Markets at Les Halles, 1831 (w/c on paper)
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The Markets at Les Halles, 1831 (w/c on paper)
XIR166591 The Markets at Les Halles, 1831 (w/c on paper) by Opitz, Georg Emanuel (1775-1841); Musee de la Ville de Paris, Musee Carnavalet, Paris, France; (add.info.: By Georg Opitz)
Media ID 33069394
© Bridgeman Images
19th Century Fashion A Lot Of People Art Fine Art Bourgeoisie Class System Common Life Craftsperson Daily Routine Day To Day Every Day Life Everyday Life Fish Sellers Fish Shop Fish Woman Fishmonger Fishwoman Game Animal Home Front Labouring Class Labouring Classes Lot Of People Markets Proletarian Proletariat Puppy Social Class Street Trade Street Vendor Street Vendors Top Hat War Effort War Production Water Color Water Colour Watercolors Watercolour Paint Woman At Work Working Class Working Woman 19th Mode City Of Paris Craftsmen Craftswoman Daily Life Scene
7"x5" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 12.7cm x 17.7cm (5" x 7")
Estimated Product Size is 16.2cm x 20.3cm (6.4" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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The Markets at Les Halles, 1831
EDITORS COMMENTS
is a captivating watercolor painting by Georg Emanuel Opitz that offers a glimpse into the bustling atmosphere of one of Paris' most vibrant marketplaces in the early 19th century. The artwork, now housed in the Musee Carnavalet, transports viewers back to a time when trade and commerce thrived amidst the colorful chaos. Opitz's meticulous attention to detail brings this scene to life as he skillfully captures the essence of daily life within Les Halles. From merchants passionately haggling over prices to elegantly dressed bourgeois ladies inspecting fresh produce, every corner of this vibrant marketplace tells its own story. Amidst the sea of people and stalls, an adorable puppy playfully scampers through the crowd, adding an element of charm and innocence to this lively scene. It serves as a reminder that even amidst bustling trade and economic activity, there is always room for joy and companionship. Opitz's use of color further enhances the vibrancy depicted in "The Markets at Les Halles". Each stroke adds depth and richness to his portrayal of both people and products alike. This vivid palette not only showcases Opitz's technical prowess but also reflects the energy pulsating through these busy streets. This artwork not only captures a specific moment in history but also provides valuable insight into societal dynamics during this era. It serves as a testament to France's industrious spirit during times of war production on the home front. "The Markets at Les Halles" stands as both an exquisite work of art and an invaluable historical document that continues to captivate audiences with its timeless beauty.
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