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Glass Frame : Christ in the House of His Parents, 1863 (oil on canvas)
Mounted Prints from Fine Art Finder
Christ in the House of His Parents, 1863 (oil on canvas)
VFS109726 Christ in the House of His Parents, 1863 (oil on canvas) by Millais, John Everett (1829-96) & Solomon, Rebecca (1832-1886); 38.1x61 cm; Private Collection; (add.info.: later version of same subject in the Tate; ); English, out of copyright
Media ID 22801728
© Bridgeman Images
Boyhood Carpenter Carpenters Shop Carpentry John The Baptist Joseph Nail Nazareth Pliers Stigmata Workshop Pre Raphaelite
7"x5" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 17.7cm x 12.7cm (7" x 5")
Estimated Product Size is 20.3cm x 16.2cm (8" x 6.4")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print captures the essence of John Everett Millais' masterpiece, "Christ in the House of His Parents". Painted in 1863, this oil on canvas artwork depicts a poignant scene from Jesus Christ's childhood. The composition showcases a young Jesus standing beside his father Joseph in their carpentry workshop in Nazareth. The attention to detail is remarkable as every element tells a story. A young boy, possibly John the Baptist, holds a nail while observing Jesus and Joseph at work. The tools of their trade are scattered around – pliers and other carpentry instruments – emphasizing their humble profession. Intriguingly, the painting also alludes to Christ's future destiny through subtle symbolism. Sheep can be seen outside the window, foreshadowing his role as the Good Shepherd who would sacrifice himself for humanity. Additionally, hints of stigmata on Jesus' hands hint at his eventual crucifixion. Millais' use of light and shadow adds depth and emotion to this intimate family scene. Rebecca Solomon's collaboration with Millais brings an added layer of artistic brilliance to this version of the painting. Now available as a high-quality print from Fine Art Finder, this piece allows art enthusiasts to appreciate Millais' meticulous brushwork and explore its profound religious themes. It serves as a timeless reminder that even within ordinary moments lies extraordinary significance.
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