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Glass Frame : Madonna and Child with Saints (tempera on panel)
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Madonna and Child with Saints (tempera on panel)
AII80336 Madonna and Child with Saints (tempera on panel) by Lorenzo Monaco, (Piero di Giovanni) (c.1370-1425); Galleria dell Accademia & Museo degli Strumenti Musicali, Florence, Tuscany, Italy; Italian, out of copyright
Media ID 23371310
© Bridgeman Images
Alpha Annunciation Crozier International Gothic John The Baptist Omega Triptych
8"x6" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 8x6 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 15.2cm x 20.3cm (6" x 8")
Estimated Product Size is 17.7cm x 22.8cm (7" x 9")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases the exquisite artwork of "Madonna and Child with Saints" by Lorenzo Monaco, also known as Piero di Giovanni. Created between 1370 and 1425, this tempera on panel masterpiece is housed in the Galleria dell Accademia & Museo degli Strumenti Musicali in Florence, Italy. The painting depicts a tender moment between Madonna and Child surrounded by saints, angels, and an ethereal atmosphere. The figures are beautifully rendered in the International Gothic style, characterized by delicate details and vibrant colors that bring them to life. In the center of the composition stands Madonna holding Baby Jesus lovingly in her arms. They are flanked by various saints who add depth to the scene. Angels hover above them, their presence symbolizing divine intervention and protection. The artist's meticulous attention to detail is evident throughout the piece; every brushstroke seems purposeful and deliberate. From intricate patterns adorning garments to subtle expressions on each face, Lorenzo Monaco's skill shines through. This triptych format adds a sense of grandeur to the artwork. The left wing features John the Baptist while angels grace both sides of Mary on the right wing. Symbolism abounds with references such as Omega (the end) and Alpha (the beginning), emphasizing Christ's role as savior. With its rich history and spiritual significance, this painting continues to captivate viewers from around the world. It serves as a testament to Lorenzo Monaco's talent as well as an enduring example
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