Glass Frame > Fine Art Finder > Artists > Gerrit van Honthorst
Glass Frame : Diana Resting after the Hunt (oil on canvas)
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Diana Resting after the Hunt (oil on canvas)
BAL178003 Diana Resting after the Hunt (oil on canvas) by Honthorst, Gerrit van (1590-1656); 97x160 cm; Private Collection; Johnny Van Haeften Ltd. London; Dutch, out of copyright
Media ID 12744419
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Bow And Arrow Breast Bunch Of Grapes Chiaroscuro Goddess Of Hunting Greyhound Huntress Levrier Shepherdess Shepherdesses
7"x5" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 17.7cm x 12.7cm (7" x 5")
Estimated Product Size is 20.3cm x 16.2cm (8" x 6.4")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
Diana Resting after the Hunt
EDITORS COMMENTS
is a captivating oil painting by Gerrit van Honthorst that beautifully captures a serene moment in time. The artwork depicts Diana, the goddess of hunting, as she takes respite from her vigorous pursuits. She is portrayed as a shepherdess, surrounded by an idyllic landscape and accompanied by two graceful greyhounds. The artist's mastery of chiaroscuro technique creates a striking contrast between light and shadow, enhancing the depth and realism of the scene. The play of light on Diana's figure accentuates her delicate features and showcases her ethereal beauty. In this composition, Diana holds a bow and arrow symbolizing her role as the huntress while also clutching a bunch of grapes, representing fertility and abundance. Her exposed breast adds to the sense of vulnerability juxtaposed with strength that defines this powerful goddess. The painting belongs to the Utrecht School style prevalent during Honthorst's time. This movement emphasized naturalistic representations infused with dramatic lighting effects. This particular print is part of Johnny Van Haeften Ltd. 's private collection in London. It offers viewers an opportunity to appreciate Honthorst's skillful brushwork up close while immersing themselves in an enchanting world where mythological figures come alive.
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