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Glass Frame : A Bay Horse Approached by a Stable-lad with Food and a Halter, 1789 (oil on canvas)
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A Bay Horse Approached by a Stable-lad with Food and a Halter, 1789 (oil on canvas)
XYC159874 A Bay Horse Approached by a Stable-lad with Food and a Halter, 1789 (oil on canvas) by Garrard, George (1760-1826); 61.6x74.9 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright
Media ID 12733561
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8"x6" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 8x6 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 20.3cm x 15.2cm (8" x 6")
Estimated Product Size is 22.8cm x 17.7cm (9" x 7")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
In this oil painting by George Garrard, titled "A Bay Horse Approached by a Stable-lad with Food and a Halter" we are transported back to the year 1789. The scene depicts a beautiful bay horse standing in an open field, eagerly awaiting the arrival of its stable-lad. With food in one hand and a halter in the other, the young groom approaches the horse with gentle confidence. The artist's attention to detail is remarkable; every stroke of his brush brings life to both human and animal subjects alike. The rich colors of the canvas evoke a sense of warmth and tranquility, as if time has momentarily stood still within this serene moment. This artwork captures not only the bond between man and beast but also highlights the importance of trust and care within equestrian relationships. The viewer can almost feel the anticipation radiating from both figures - one longing for sustenance, while the other seeks companionship. Displayed at Yale Center for British Art as part of their esteemed Paul Mellon Collection, this masterpiece serves as an emblematic representation of Georgian sporting art. It showcases not only Garrard's mastery but also reflects upon England's deep-rooted equestrian culture during that era. As we gaze upon this print, we are reminded that art has an incredible ability to transport us through time and space – allowing us to witness intimate moments like these that would otherwise remain hidden in history's embrace.
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