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Glass Frame : The Triumph of Religion in the Arts, before 1840 (oil on canvas)
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The Triumph of Religion in the Arts, before 1840 (oil on canvas)
XKH152150 The Triumph of Religion in the Arts, before 1840 (oil on canvas) by Overbeck, Friedrich (1789-1869); 144x144 cm; Hamburger Kunsthalle, Hamburg, Germany; German, out of copyright
Media ID 12728680
© www.bridgemanart.com
Liberal Madonna And Child Majesty Sculpting Sculptor Triumphant
8"x6" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 8x6 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 15.2cm x 20.3cm (6" x 8")
Estimated Product Size is 17.7cm x 22.8cm (7" x 9")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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The Triumph of Religion in the Arts
EDITORS COMMENTS
is a captivating oil on canvas masterpiece by Friedrich Overbeck, created before 1840. This monumental artwork, measuring 144x144 cm, can be found at the prestigious Hamburger Kunsthalle in Hamburg, Germany. The painting depicts a triumphant scene where religion and art converge harmoniously. At the center stands a magnificent carving relief of the Madonna and Child, symbolizing divine majesty and grace. The Virgin Mary radiates serenity as she cradles her child, embodying both maternal love and spiritual enlightenment. Surrounding this central sculpture are various figures representing different aspects of knowledge and creativity. A sculptor diligently sculpts away at his work, capturing the essence of beauty through his craft. An artist passionately paints on an easel nearby, expressing emotions through vibrant brushstrokes. The composition also features a majestic fountain flowing with knowledge that nourishes all who seek it. It represents the liberal nature of education and its ability to enrich lives through artistic expression. Overbeck's masterful technique brings life to each character depicted in this grand tableau. Through meticulous attention to detail and skillful use of light and shadow, he creates a sense of depth that draws viewers into this world where religion intertwines with artistic creation. "The Triumph of Religion in the Arts" is not just an exquisite piece; it serves as a testament to humanity's enduring quest for understanding and enlightenment through both faith and creative endeavors.
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