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Glass Frame : The Annunciation, from the Bourbon Altarpiece, c. 1498 (oil on panel)
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The Annunciation, from the Bourbon Altarpiece, c. 1498 (oil on panel)
XIR243708 The Annunciation, from the Bourbon Altarpiece, c.1498 (oil on panel) by Master of Moulins (Jean Hey), (fl.c.1483-c.1529); Moulins Cathedral, Allier, France; (add.info.: Annunciation in grisaille (monochromatic grey), exterior wings of triptych altarpiece); French, out of copyright
Media ID 12769875
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Annonciation Archangel Gabriel Grisaille Lannonciation Maitre Northern Renaissance
8"x6" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 8x6 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 15.2cm x 20.3cm (6" x 8")
Estimated Product Size is 17.7cm x 22.8cm (7" x 9")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This print captures "The Annunciation" from the Bourbon Altarpiece, a masterpiece created by the enigmatic Master of Moulins (Jean Hey) in 1498. Painted with meticulous detail and skillful use of oil on panel, this artwork is housed within the Moulins Cathedral in Allier, France. The scene depicted is none other than the momentous encounter between the Virgin Mary and Archangel Gabriel. In monochromatic grey tones known as grisaille, this particular section forms part of the exterior wings of a triptych altarpiece. The artist's mastery shines through as he portrays Mary's awe-struck expression upon receiving news of her divine destiny while Gabriel stands before her with celestial grace. Surrounding them are ethereal angels, their presence adding to the sacred atmosphere that permeates this piece. Every brushstroke brings life to these heavenly beings who witness this holy event unfold. "The Annunciation" exemplifies the Northern Renaissance style prevalent during its creation period. Its attention to minute details and emphasis on naturalistic representation showcases both technical expertise and spiritual devotion. As we gaze upon this remarkable photo print, we are transported back in time to witness a pivotal moment in Christian history. It serves as a testament to Jean Hey's artistic prowess and his ability to evoke profound emotions through his work.
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