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Glass Frame : Woodcut from The First New Chronicle and Good Government, c. 1560 (engraving)
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Woodcut from The First New Chronicle and Good Government, c. 1560 (engraving)
XJF869693 Woodcut from The First New Chronicle and Good Government, c.1560 (engraving) by Poma de Ayala, Felipe Huaman (1526-1613); Private Collection; (add.info.: S. de Dios Addo, from The First New Chronicle and Good Government, a history of the conquest of South America, 16th Century (woodcut)
Felipe Guaman Poma de Ayala (1535a 1616), also known as GuamAan Poma or HuamAan Poma, was a Quechua noble man known for his chronicle in which he denounced the ill treatment of the native peoples of the Andes by the Spanish after conquest.); Peruvian, out of copyright
Media ID 12941259
© www.bridgemanart.com
Chronicle Conquest Crucifix Human Rights Pioneer Rights
7"x5" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 12.7cm x 17.7cm (5" x 7")
Estimated Product Size is 16.2cm x 20.3cm (6.4" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This woodcut from "The First New Chronicle and Good Government" by Felipe Huaman Poma de Ayala transports us back to the 16th century, offering a glimpse into the history of South America's conquest. The intricate engraving depicts a powerful scene that speaks volumes about the artist's intentions. In this image, we see a man standing tall with his arms outstretched, holding a large crucifix. His solemn expression and commanding presence suggest that he is an important figure in this narrative. Behind him, there are other men gathered around, seemingly engaged in deep discussion or prayer. The woodcut serves as both an artistic masterpiece and a poignant commentary on human rights during this tumultuous period. Poma de Ayala was known for denouncing the mistreatment of indigenous people by Spanish conquerors, making him a pioneer in advocating for justice and equality. As we examine this print closely, it becomes evident that religion plays a significant role in conveying the message of resistance against oppression. The cross symbolizes hope and salvation while also serving as a reminder of the suffering endured by native peoples under Spanish rule. This remarkable artwork not only captures our attention visually but also invites us to reflect on historical events through its thought-provoking imagery. It stands as an enduring testament to Poma de Ayala's courage and determination to shed light on injustices committed against indigenous communities during one of history's most transformative periods.
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