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Glass Frame : Le Sourire, 1899-1900 (woodcut)
Mounted Prints from Fine Art Finder
Le Sourire, 1899-1900 (woodcut)
5860145 Le Sourire, 1899-1900 (woodcut) by Gauguin, Paul (1848-1903); The Art Institute of Chicago, IL, USA; (add.info.: Only 9 issues of this periodical were produced by Gauguin in Tahiti to attack French official colonial establishment; championing cause of French settlers;)
Media ID 32013972
© Bridgeman Images
Dom Tom French Polynesia Paul Gauguin Polynesia Polynesians Polynesisch Post Impressionism Postimpressionism Tahiti Art Style Newspapers Post Impressionist
7"x5" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 12.7cm x 17.7cm (5" x 7")
Estimated Product Size is 16.2cm x 20.3cm (6.4" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
The captivating woodcut print, "Le Sourire" created by the renowned artist Paul Gauguin in 1899-1900, is a powerful representation of his artistic and political beliefs. Housed at The Art Institute of Chicago, this artwork was originally published as part of a periodical produced by Gauguin himself during his time in Tahiti. Gauguin's intention behind creating this publication was to challenge the French official colonial establishment and advocate for the cause of French settlers. Only nine issues were ever produced, making each print incredibly rare and significant. In "Le Sourire". Gauguin skillfully combines elements of animal imagery with handwritten text to convey his message effectively. A majestic horse takes center stage, symbolizing strength and power amidst the political turmoil. The carefully inscribed words surrounding the image further emphasize Gauguin's critique on colonialism and politics. This remarkable piece showcases Gauguin's mastery as both a painter and an artist who used art as a medium for social commentary. It belongs to the post-impressionist movement that challenged traditional artistic conventions prevalent during its time. "Le Sourire" serves not only as an exquisite work of art but also as a historical artifact that sheds light on Gauguin's personal convictions regarding politics and society in France during the late nineteenth century. Its presence within The Art Institute of Chicago allows viewers to engage with Gauguin's vision firsthand, appreciating both its aesthetic beauty and profound meaning.
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