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Glass Frame : The Russians in Central Asia, III (engraving)
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The Russians in Central Asia, III (engraving)
1041574 The Russians in Central Asia, III (engraving) by English School, (19th century); Private Collection; (add.info.: The Russians in Central Asia, III, Views on the New Transcaspian Railway from the Caspian Sea to Samarkand. Illustration for The Graphic, 22 September 1888.); Look and Learn / Illustrated Papers Collection; English, out of copyright
Media ID 23546204
© Look and Learn / Illustrated Papers Collection / Bridgeman Images
Asses Caspian Sea Central Asia Continued Cutting Earth Holes Laying Line Making Miles Panniers Protection Rails Rate Samarkand Showing Station Taking Railway Depot
7"x5" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 12.7cm x 17.7cm (5" x 7")
Estimated Product Size is 16.2cm x 20.3cm (6.4" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
The Russians in Central Asia, III (engraving) captures a pivotal moment in the 19th-century expansion of the Russian Empire. This print, part of the English School's collection, showcases the construction and military activities surrounding the New Transcaspian Railway. The image takes us on a visual journey through Central Asia, from the Caspian Sea to Samarkand. It depicts various scenes along the railway route: workers diligently laying rails, cutting through rugged terrain with determination; Russian soldiers stationed at forts and depots for protection; and local Turcomans observing this foreign intrusion into their lands. One particularly striking element is an impressive bridge spanning a deep gorge, symbolizing both engineering triumph and imperial ambition. The presence of panniers on donkeys suggests that supplies are being transported to sustain this massive undertaking. The engraving also hints at geopolitical tensions as it shows Russian missiles pointed towards Afghanistan's frontier. This serves as a reminder that beyond constructing railways for economic purposes, Russia sought to extend its military influence in Central Asia. Overall, this historic artwork offers valuable insights into how Russia expanded its dominion during this era while shedding light on the challenges faced by both conquerors and locals alike. It stands as a testament to human ingenuity amidst vast landscapes and highlights significant moments in history.
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