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Glass Frame : Our "Imperial"Guard (engraving)
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Our "Imperial"Guard (engraving)
2777089 Our " Imperial" Guard (engraving) by Tenniel, John (1820-1914) (after); Private Collection; (add.info.: Our " Imperial" Guard. Cartoon, 25 May 1878. Illustration for Benjamin Disraeli, Earl of Beaconsfield from the Collection of Mr Punch (Punch, 1878).); Look and Learn / George Collection
Media ID 23128508
© Look and Learn / George Collection / Bridgeman Images
1878 Benjamin Disraeli Britannia Imperial Guard Lord Beaconsfield Malta Maltese Service Summoning Inida
7"x5" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 12.7cm x 17.7cm (5" x 7")
Estimated Product Size is 16.2cm x 20.3cm (6.4" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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Our 'Imperial' Guard - A Satirical Cartoon from 1878
EDITORS COMMENTS
. This intriguing engraving, titled "Our 'Imperial' Guard" captures the essence of political satire during the late 19th century. Created by renowned artist John Tenniel and published in Punch magazine, this cartoon pokes fun at the British Empire's grandiose self-image. The image depicts a comical scene where Britannia, symbolizing Great Britain, is seen summoning her so-called imperial guard. However, instead of formidable soldiers standing before her, we are greeted with an amusing ensemble of characters representing various nations and cultures. The cartoon cleverly satirizes Britain's perception of its global influence by highlighting the diverse origins of its troops. From Indian soldiers to Germanic warriors and even Maltese individuals, this motley crew showcases the extent to which Britain had expanded its reach across continents. Tenniel's scathing satire not only mocks British imperialism but also alludes to Benjamin Disraeli (Earl of Beaconsfield), a prominent political figure at that time. By blending humor with political commentary, this artwork offers a glimpse into the complex dynamics between England and its colonies during an era marked by European power struggles. As we delve into this print from our private collection, it serves as a reminder that art has long been used as a medium for social critique and reflection on historical events.
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