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Glass Frame : Lady of the Medinaceli family, c. 1683 (oil on canvas)
Mounted Prints from Fine Art Finder
Lady of the Medinaceli family, c. 1683 (oil on canvas)
XJL109949 Lady of the Medinaceli family, c.1683 (oil on canvas) by Carreno de Miranda, Don Juan (1614-85); 125 x 206 cm; Hospital Tavera, Toledo, Spain; (add.info.: Dama de la Casa de Medinaceli; formerly called Portrait of the Duquesa de Feria; ); Spanish, out of copyright
Media ID 12706665
© www.bridgemanart.com
Duchess Frills Puff Sleeves Striped Stripes
7"x5" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 12.7cm x 17.7cm (5" x 7")
Estimated Product Size is 16.2cm x 20.3cm (6.4" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This portrait, titled "Lady of the Medinaceli family" is a stunning example of Spanish Baroque art. Painted by Carreno de Miranda in 1683, this oil on canvas masterpiece measures an impressive 125 x 206 cm and can be found at the Hospital Tavera in Toledo, Spain. The lady depicted in the painting exudes elegance and grace. She sits regally on a chair adorned with intricate patterns, her gaze fixed upon the viewer with a sense of confidence. Her attire is nothing short of exquisite - she wears a dress embellished with frills and puff sleeves that accentuate her aristocratic status. The stripes on her dress add depth to the composition while also symbolizing wealth and sophistication. In one hand, she delicately holds a fan, an accessory commonly used during this period to convey social status and refinement. The fan's intricate design further emphasizes the attention to detail present throughout this artwork. Formerly known as "Portrait of the Duquesa de Feria" this painting captures not only the physical beauty but also the inner strength and dignity of its subject. It serves as a testament to Carreno de Miranda's skill as an artist and his ability to capture both external appearance and internal character. As we admire this timeless piece from centuries past, we are transported back in time to witness firsthand the grandeur and opulence that defined Spanish nobility during the Baroque era.
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