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Glass Frame : Lady Lucy Boyle (1744-92) Viscountess Torrington (oil on canvas)
Mounted Prints from Fine Art Finder
Lady Lucy Boyle (1744-92) Viscountess Torrington (oil on canvas)
WES239440 Lady Lucy Boyle (1744-92) Viscountess Torrington (oil on canvas) by Gainsborough, Thomas (1727-88); 18th cm; The Trustees of the Weston Park Foundation, UK; (add.info.: mother of Lucy Byng, 1st Countess of Bradford of the 2nd Creation; ); English, out of copyright
Media ID 23207502
© Bridgeman Images
Austere Black Lace Formal Headscarf
7"x5" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 12.7cm x 17.7cm (5" x 7")
Estimated Product Size is 16.2cm x 20.3cm (6.4" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
The captivating portrait of Lady Lucy Boyle, Viscountess Torrington, painted by the renowned artist Thomas Gainsborough, captures the essence of 18th-century aristocracy. This oil on canvas masterpiece showcases Lady Lucy's elegance and grace in a time when society was defined by its strict codes and formalities. Lady Lucy exudes an air of austerity as she gazes into the distance with poise and confidence. Her headscarf delicately frames her face, adding to her refined appearance. The intricate black lace adorning her attire speaks volumes about her status as a member of the elite class. Gainsborough's attention to detail is evident in every brushstroke, from the fine lace patterns to the subtle shading that brings Lady Lucy's features to life. The oval composition further enhances her regal presence within this Georgian-era painting. As we admire this exquisite artwork, it is worth noting that Lady Lucy Boyle was not only a viscountess but also the mother of Lucy Byng, who would later become the esteemed Countess of Bradford. This connection adds another layer of historical significance to this portrait. Displayed proudly among other notable works at The Trustees of Weston Park Foundation in the UK, this print allows us to appreciate both Gainsborough's artistic talent and Lady Lucy Boyle's contribution to aristocratic society during her lifetime.
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