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Glass Frame : The Triumph of St. Augustine (354-430) 1664 (oil on canvas)

The Triumph of St. Augustine (354-430) 1664 (oil on canvas)



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Resolution may be poor at this size (86 DPI)

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The Triumph of St. Augustine (354-430) 1664 (oil on canvas)

XJL187573 The Triumph of St. Augustine (354-430) 1664 (oil on canvas) by Coello, Claudio (1642-93); Prado, Madrid, Spain; Spanish, out of copyright

Media ID 12748870

© www.bridgemanart.com

Ascension Cope Crozier Dragon Mitre Putti Scholar Bishop Of Hippo


7"x5" Glass Mount

Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.

Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand

Estimated Image Size (if not cropped) is 12.7cm x 17.7cm (5" x 7")

Estimated Product Size is 16.2cm x 20.3cm (6.4" x 8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


The Triumph of St. Augustine

EDITORS COMMENTS
is a captivating oil painting that captures the essence of this revered saint, doctor, scholar, and bishop of Hippo. Created by Claudio Coello in 1664, this masterpiece showcases the artist's skillful use of colors and attention to detail. In the center of the composition stands St. Augustine himself, adorned in his cope and mitre with a crozier in hand. His wise and contemplative expression reflects his deep understanding and knowledge. Surrounding him are cherubic putti, symbolizing divine intervention and guidance. The scene is set against a backdrop of architectural ruins, representing the passage of time and decay. A majestic mountain landscape looms behind St. Augustine, signifying his spiritual ascension towards enlightenment. Notably present is a dragon held at bay by an angel wielding a flaming dagger – an allegory for St. Augustine's triumph over evil forces through faith and reason. Coello's attention to detail can be seen in every aspect of this artwork; from the intricate busts adorning pillars to statues scattered throughout the composition - each element adds depth to the narrative being portrayed. This print allows us to appreciate Coello's talent while capturing all these elements beautifully preserved within "The Triumph of St. Augustine". It serves as a testament to both artistic mastery and religious devotion that continues to inspire viewers today.

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