Glass Frame > Arts > Artists > S > Joachim von Sandrart
Glass Frame : Allegorie de la vanite (Allegory of Vanity). Une jeune femme aux cheveux blonds se coupe une meche de cheveux avec une paire de ciseaux devant miroir tenu par un homme, un enfant l eclaire avec un flambeau
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Allegorie de la vanite (Allegory of Vanity). Une jeune femme aux cheveux blonds se coupe une meche de cheveux avec une paire de ciseaux devant miroir tenu par un homme, un enfant l eclaire avec un flambeau
FIA5373624 Allegorie de la vanite (Allegory of Vanity). Une jeune femme aux cheveux blonds se coupe une meche de cheveux avec une paire de ciseaux devant miroir tenu par un homme, un enfant l eclaire avec un flambeau. Peinture de Joachim von Sandrart (1606-1688), huile sur toile, 1642. Art allemand 17e siecle, art baroque. State Hermitage, Saint Petersbourg. by Sandrart, Joachim von (1606-88); State Hermitage Museum, St. Petersburg, Russia; Photo © Fine Art Images
Media ID 24742142
© Fine Art Images / Bridgeman Images
Blond Hair Curly Hair Narcissism Pride Scissors Seven Deadly Sins Toilet Requisites Vice Flemish Art
8"x6" Glass Mount
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Estimated Image Size (if not cropped) is 15.2cm x 20.3cm (6" x 8")
Estimated Product Size is 17.7cm x 22.8cm (7" x 9")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
The captivating painting "Allegorie de la vanite (Allegory of Vanity)" by Joachim von Sandrart takes us back to the 17th century German Baroque art scene. In this thought-provoking piece, we are presented with a young woman with flowing blond hair, delicately cutting a strand of her own locks using a pair of scissors. She stands before a mirror held by a man, while an innocent child illuminates the scene with a flickering torch. This allegorical composition explores the theme of vanity and its consequences. The woman's act symbolizes self-obsession and narcissism, as she indulges in enhancing her beauty without regard for others or deeper values. Her blonde curls represent allure and seduction, drawing attention to physical appearance rather than inner qualities. The presence of the man holding the mirror suggests that vanity often requires external validation and approval from others. Meanwhile, the child holding the torch represents innocence being exposed to these vices at an early age. Sandrart's masterful use of color adds depth and richness to this artwork. The warm hues evoke feelings of temptation and desire while contrasting against darker tones that hint at hidden dangers lurking beneath superficial beauty. "Allegorie de la vanite" serves as a reminder for viewers to reflect on their own relationship with pride and self-image in our contemporary world obsessed with appearances.
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