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Glass Frame : The Risks of the Civilian, from Le Rire, 15th April 1916 (coloured engraving)
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The Risks of the Civilian, from Le Rire, 15th April 1916 (coloured engraving)
XIR192979 The Risks of the Civilian, from Le Rire, 15th April 1916 (coloured engraving) by Guillaume, Albert (1873-1942); Bibliotheque Nationale, Paris, France; (add.info.: man with indigestion from reading too many newspapers; ); French, out of copyright
Media ID 12703747
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8"x6" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 8x6 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 15.2cm x 20.3cm (6" x 8")
Estimated Product Size is 17.7cm x 22.8cm (7" x 9")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
The Risks of the Civilian
EDITORS COMMENTS
is a captivating coloured engraving by Albert Guillaume, dating back to April 15th, 1916. This satirical artwork, featured in Le Rire magazine during World War I, offers a humorous yet thought-provoking commentary on the dangers faced by civilians. In this comical scene, we witness a man suffering from indigestion caused by an overload of newspapers. The artist cleverly depicts the civilian surrounded by stacks of papers that symbolize the overwhelming amount of news and information bombarding society during wartime. With his hand pressed against his stomach and a pained expression on his face, he represents every individual struggling to digest the constant influx of reports and updates. Guillaume's caricature serves as a reminder that while soldiers risk their lives on the battlefield, civilians also face risks in their own way. Through satire and exaggeration, he highlights how excessive exposure to news can overwhelm individuals mentally and emotionally. This historic print not only showcases Guillaume's artistic talent but also provides valuable insight into the societal impact of war propaganda during that era. It reminds us that even amidst chaos and conflict, it is crucial for individuals to find balance in consuming information without compromising their well-being. Displayed at Bibliotheque Nationale in Paris, France, "The Risks of the Civilian" continues to captivate viewers with its timeless relevance and witty portrayal of human vulnerability in times of crisis.
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