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Glass Frame : 20079311. MADAGASCAR
Mounted Prints from EyeUbiquitous
20079311. MADAGASCAR
MADAGASCAR Ambalavao Man sitting on his rickshaw awaiting a fare at the side of the road with a building behind
Eye Ubiquitous specialise in unique images of People and Places, their Cultures and Environments
Media ID 20106284
© Jonas Grau eye ubiquitous / hutchison
7"x5" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 17.7cm x 12.7cm (7" x 5")
Estimated Product Size is 20.3cm x 16.2cm (8" x 6.4")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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> Madagascar
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EDITORS COMMENTS
In this print titled "20079311" captured by the talented photographer Jonas Grau, we are transported to the vibrant streets of Ambalavao, Madagascar. The image portrays a moment frozen in time as we witness an Ambalavao man sitting patiently on his rickshaw, awaiting a fare at the side of a bustling road. The rich cultural tapestry of Africa comes alive through this photograph, showcasing not only the unique mode of transportation but also offering us a glimpse into the daily lives and traditions of its people. The man's calm demeanor reflects both his dedication to his work and his resilience amidst the hustle and bustle surrounding him. As our eyes wander beyond the rickshaw, we notice a magnificent building standing tall in the background. Its architectural details hint at historical significance while adding depth to this scene. This juxtaposition between tradition and modernity further emphasizes how African societies seamlessly blend their heritage with progress. Grau's keen eye for composition allows us to immerse ourselves fully in this snapshot from everyday life in Madagascar. Through his lens, he captures not just an ordinary street view but rather invites us into an enchanting world where transport becomes more than just movement—it becomes a vessel that connects people across cultures and generations. "20079311" is undoubtedly an extraordinary piece that encapsulates Africa's spirit—its warm-hearted people, diverse landscapes, and timeless traditions—all within one frame.
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