Glass Frame > Africa > Burkina Faso > Garango
Glass Frame : 20072138. BURKINA FASO Bisaland Sigue Voisin Near Garango
Mounted Prints from EyeUbiquitous
20072138. BURKINA FASO Bisaland Sigue Voisin Near Garango
BURKINA FASO Bisaland Sigue Voisin Near Garango. Young girl carrying water vessel on head.Girl called Mariam
Eye Ubiquitous specialise in unique images of People and Places, their Cultures and Environments
Media ID 20097712
© Crispin Hughes eye ubiquitous / hutchison
7"x5" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 12.7cm x 17.7cm (5" x 7")
Estimated Product Size is 16.2cm x 20.3cm (6.4" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
In this print titled "20072138 (BURKINA FASO Bisaland Sigue Voisin Near Garango. Young girl carrying water vessel on head. Girl called Mariam)" by Crispin Hughes, we are transported to the heart of Burkina Faso, Africa. The image showcases the resilience and strength of a young girl named Mariam as she gracefully carries a water vessel atop her head. The vibrant colors of the surrounding landscape serve as a backdrop for Mariam's determined expression, reflecting both her daily responsibilities and her unwavering spirit. Her poised posture reveals generations of tradition and knowledge passed down through time, symbolizing the vital role women play in their communities. Beyond its aesthetic beauty, this photograph also sheds light on the challenges faced by many African villages. The architecture in the background hints at an agrarian society where agriculture is not only a means of survival but also an integral part of cultural identity. Through his lens, Crispin Hughes captures not just a moment frozen in time but also invites us to reflect upon our own privileges and responsibilities towards those less fortunate. This powerful image reminds us that while we may be separated by distance or circumstance, our shared humanity connects us all.
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