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Glass Frame : Lamorna Birch filmed by Claude Friese-Greene for The Open Road (1925)
Mounted Prints from British Film Institute
Lamorna Birch filmed by Claude Friese-Greene for The Open Road (1925)
The British Film Institute (BFI) are UK's lead organisation for film, television and the moving image
Media ID 1433103
© BFI - All Rights Reserved
7"x5" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 17.7cm x 12.7cm (7" x 5")
Estimated Product Size is 20.3cm x 16.2cm (8" x 6.4")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
In this photo print, we are transported back to the year 1925, where Lamorna Birch, a renowned painter and artist from Cornwall, is being filmed by Claude Friese-Greene for his groundbreaking documentary "The Open Road". The image captures a moment of artistic brilliance as Birch stands amidst the picturesque landscapes of Cornwall, her easel set up before her. Birch's passion for capturing the beauty of nature shines through in this photograph. With brush in hand and eyes focused intently on her subject, she effortlessly blends colors onto canvas with masterful strokes. The serene atmosphere surrounding her seems to reflect the tranquility that can be found within her art. As one of Britain's most celebrated landscape painters during the early 20th century, Lamorna Birch was known for her ability to evoke emotions through vivid depictions of coastal scenes and rural life. Her works often showcased the unique charm and rugged beauty of Cornwall. Claude Friese-Greene's decision to include Birch in his film speaks volumes about both artists' dedication to showcasing British talent and their shared appreciation for Cornwall's enchanting landscapes. This collaboration between filmmaker and painter undoubtedly contributed greatly to preserving these mesmerizing vistas for future generations. This print serves as a testament not only to Lamorna Birch's artistic prowess but also as a glimpse into an era when filmmakers like Claude Friese-Greene sought to capture Britain's natural wonders on celluloid. It reminds us that art has always been intertwined with our desire
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