Glass Frame > British Film Institute > British "Quota" Movies
Glass Frame : Patricia Plunkett and Joan Rice in John Guillermins The Crowded Day (1954)
Mounted Prints from British Film Institute
Patricia Plunkett and Joan Rice in John Guillermins The Crowded Day (1954)
Patricia Plunkett and Joan Rice in The Crowded Day (1954)
AKA SHOP SOIILED
AKA TOMORROW IS SUNDAY
The British Film Institute (BFI) are UK's lead organisation for film, television and the moving image
Media ID 1607065
© Adelphi Films - All Rights Reserved
7"x5" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 17.7cm x 12.7cm (7" x 5")
Estimated Product Size is 20.3cm x 16.2cm (8" x 6.4")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
EDITORS COMMENTS
In this print from John Guillermins' The Crowded Day (1954), we are transported back to a bustling era of post-war Britain. Patricia Plunkett and Joan Rice, two talented actresses of their time, grace the frame with their undeniable charm and elegance. The scene unfolds in a quaint bathroom setting, where both women are engaged in the timeless ritual of self-care. Clad in matching towels, they exude an air of sophistication as they go about their daily routine. Their radiant smiles suggest a genuine camaraderie that transcends the confines of the film set. As we peer into this intimate moment frozen in time, it becomes clear that more than just physical cleansing is taking place here. The symbolism inherent within this image speaks volumes about societal expectations placed upon women during that period. It serves as a reminder of how even mundane tasks like washing can be transformed into acts of empowerment and self-expression. The Crowded Day (also known by its alternative titles Shop Soiled and Tomorrow is Sunday) masterfully captures the essence of everyday life amidst a backdrop of bustling shops and vibrant city streets. This particular still embodies the film's exploration of female identity against the backdrop of consumerism and social change. Through this evocative photograph, we are invited to reflect on our own relationship with self-care rituals while appreciating these remarkable actresses who brought such depth to their roles.
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