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Glass Coaster : The Puseyite Moth and the Roman Candle: Edward Pusey (1800-1882) English theologian
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The Puseyite Moth and the Roman Candle: Edward Pusey (1800-1882) English theologian
The Puseyite Moth and the Roman Candle: Edward Pusey (1800-1882) English theologian and leader of Oxford Movement, shown as Anglican moth in danger of being singed by the flame of Roman Catholicism. Cartoon from Punch London 1850. Engraving
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Media ID 9763845
© Universal History Archive/Universal Images Group
1850 Anglican Candle Cartoon Christian Danger Edward Flame Leader Moth Movement Oxford Punch Roman Shown Theologian Pusey
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Estimated Image Size (if not cropped) is 5.5cm x 7.6cm (2.2" x 3")
Estimated Product Size is 10cm x 10cm (3.9" x 3.9")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This print titled "The Puseyite Moth and the Roman Candle" captures a significant moment in religious history, featuring Edward Pusey, an influential English theologian and leader of the Oxford Movement. The image portrays Pusey as an Anglican moth perilously close to being singed by the flame of Roman Catholicism. Published in Punch London in 1850, this thought-provoking cartoon engraving encapsulates the tension between different Christian denominations during that era. Pusey's role as a central figure in the Oxford Movement, which sought to restore Catholic elements within Anglicanism, is symbolized by his representation as a vulnerable moth drawn towards the allure of Roman Catholic traditions. The flame represents both danger and temptation; it signifies how closely intertwined these two branches of Christianity were at that time. The artist skillfully conveys this complex theological struggle through their satirical depiction. This historical artifact serves as a reminder of the ongoing debates surrounding religion and its various interpretations. It also highlights Pusey's dedication to his beliefs while simultaneously acknowledging the potential risks involved. Preserved by Universal Images Group (UIG), this remarkable piece offers viewers a glimpse into British religious discourse during the mid-19th century. Its enduring relevance lies in its ability to provoke contemplation on matters of faith, unity, and divergence within Christianity—a testament to art's power to capture profound ideas beyond mere aesthetics.
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