Glass Coaster : King Sobhusa coming to London. The High Priest of Swaziland. His long finger nails

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King Sobhusa coming to London. The High Priest of Swaziland. His long finger nails

King Sobhusa coming to London.
The High Priest of Swaziland. His long finger nails are a testimony to his exalted position. He can make but little use of his hands or the nails would break.
3 January 1923

TopFoto independent historic photographs and images all subjects and eras

Media ID 11030456

© TopFoto.co.uk

Alone Ceremonies And Customs Costume Indigenous Single Traditional Tradition Tribe Tribal Prestige Religion Religious

Glass Coaster

Individual Glass Coaster. Stylish and elegant polished safety glass, toughened and heat resistant (10x10cm, 7mm thick). Price shown is per individual coaster.

Individual Glass Coaster. Elegant polished safety toughened glass and heat resistant, matching Place Mats are also available

Estimated Image Size (if not cropped) is 6.4cm x 7.6cm (2.5" x 3")

Estimated Product Size is 10cm x 10cm (3.9" x 3.9")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.

EDITORS COMMENTS
This print captures the momentous arrival of King Sobhusa in London. As the High Priest of Swaziland, his exalted position is evident through his striking feature - long finger nails that serve as a testament to his status. These meticulously maintained nails are symbolic of his revered role within the Swazi nation. Intriguingly, the King's hands remain idle, for he dare not risk breaking these delicate extensions. This limitation highlights the sacrifices made by those who hold positions of power and prestige. Despite this constraint, King Sobhusa's presence emanates strength and dignity. The image transports us back to 3 January 1923, an era when monochrome photography was prevalent. It offers a glimpse into a time when indigenous cultures were celebrated and respected worldwide. The traditional costume worn by the King showcases the rich heritage and customs deeply rooted in African traditions. As we observe this solitary figure against a backdrop unknown to him, it sparks curiosity about his purpose in London during that period. Perhaps he embarked on this journey to forge diplomatic ties or share insights into Swazi religious practices with other nations. This photograph serves as a reminder of our interconnectedness across continents and cultures throughout history. It invites us to appreciate diversity while honoring ancient traditions that shape our world today.

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