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Glass Coaster : Birmingham Vicar, The Rev. Martin Tunnicliffe (38) from all Saints, shard end
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Birmingham Vicar, The Rev. Martin Tunnicliffe (38) from all Saints, shard end
Birmingham Vicar, The Rev. Martin Tunnicliffe (38) from all Saints, shard end, used a ventriloquists dummy as a visual aid to put over the Christian Gospel, at his service today. November 1969 Z11092-002
WATFORD
Mirrorpix
Media ID 21302621
© Mirrorpix
Glass Coaster
Individual Glass Coaster. Stylish and elegant polished safety glass, toughened and heat resistant (10x10cm, 7mm thick). Price shown is per individual coaster.
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Estimated Image Size (if not cropped) is 5cm x 7.6cm (2" x 3")
Estimated Product Size is 10cm x 10cm (3.9" x 3.9")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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> Europe
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> England
> Birmingham
> Area
> Shard End
> Humour
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> Saint Martin
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> 00033
EDITORS COMMENTS
In this print from Memory Lane Prints, we are transported back to November 1969, where Birmingham Vicar, The Rev. Martin Tunnicliffe (38), is seen using a ventriloquist's dummy as a unique visual aid during his service at All Saints in Shard End. This snapshot captures the intersection of religion, humor, and unconventional communication methods that were prevalent during the vibrant 1960s. With an air of playfulness and innovation, Rev. Tunnicliffe skillfully utilizes the ventriloquist's dummy to convey the profound message of the Christian Gospel to his congregation. As he holds up the puppet with a mischievous grin on his face, it becomes clear that he possesses both a deep faith and an ability to connect with people through unexpected means. This photograph not only showcases Rev. Tunnicliffe's creativity but also serves as a reminder of how different forms of expression can be used effectively in spreading religious teachings. It challenges traditional notions by breaking down barriers between clergy and congregation through laughter and entertainment. As we gaze upon this image frozen in time, we are reminded of the power of unconventional approaches in delivering important messages. Rev. Tunnicliffe's use of humor alongside spirituality demonstrates that even within sacred spaces like churches, there is room for joyous moments and lightheartedness. Overall, this print encapsulates an era when individuals dared to push boundaries while remaining steadfast in their beliefs—a testament to both human ingenuity
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