Glass Coaster : Street Arab fom the East End of London - study by Phil May
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Street Arab fom the East End of London - study by Phil May
A study by Phil May of a young boy wearing a woolly hat and sat in a chair - a street boy? Date: 1895
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Media ID 11574947
© Mary Evans / Grenville Collins Postcard Collection
Arab Chap Lower Phil Poor Poverty Study Wears Woolly 1895
Glass Coaster
Individual Glass Coaster. Stylish and elegant polished safety glass, toughened and heat resistant (10x10cm, 7mm thick). Price shown is per individual coaster.
Individual Glass Coaster. Elegant polished safety toughened glass and heat resistant, matching Place Mats are also available
Estimated Image Size (if not cropped) is 5.1cm x 7.6cm (2" x 3")
Estimated Product Size is 10cm x 10cm (3.9" x 3.9")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
A Street Boy - A Study by Phil May, 1895
EDITORS COMMENTS
This evocative drawing by Phil May captures the essence of childhood poverty in the East End of London during the late Victorian era. The young boy, dressed in tattered clothes and wearing a woolly hat, sits in a simple wooden chair, his expression one of quiet introspection. The artist's skillful use of charcoal and pencil creates a sense of depth and texture, drawing the viewer into the boy's world. Phil May (1864-1903) was a renowned English illustrator and cartoonist, known for his satirical and humorous works. However, this study represents a departure from his usual style, revealing a more compassionate and observant side. May's ability to capture the raw reality of urban poverty and the resilience of the children who lived in its midst is a testament to his talent and sensitivity. The East End of London, with its crowded tenements, narrow streets, and high levels of poverty, was a breeding ground for social unrest and reform. The plight of the street children, who were often forced to work long hours or beg for food, was a particular concern for social reformers and philanthropists of the time. May's study of the young boy offers a poignant glimpse into their lives, reminding us of the harsh realities of the past and the ongoing struggle against poverty and inequality. This powerful and moving image is a valuable historical document, shedding light on the living conditions of the urban poor in late 19th century London and the artist's role in recording and interpreting social issues through his work.
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