Glass Coaster : Combat between French and German soldiers
Home Decor from Mary Evans Picture Library
Combat between French and German soldiers
From the French series Visions de Guerre - HERR PROFESSOR - Halt !. Halt !. This is not the Haig Convention. A cartoon showing a mortal combat between a French and German soldier. Felix Valloton (1865-1925). In The 1890 S, Valloton Initiated The Modern Movement In The Use Of Woodcut. Touched By The Horrors Of World War One, Valloton Served In The Conflict As A Source Of Inspiration That Pushed Him Toward Abstract Art
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14150403
© David Cohen Fine Art/Mary Evans Picture Library
1865 Abstract Combat Conflict Convention Felix From Guerre Haig Halt Herr Horrors Initiated Inspiration Mortal Movement Print Professor Pushed Served Source That Touched Visions Woodcut 1925 Toward
Glass Coaster
Individual Glass Coaster. Stylish and elegant polished safety glass, toughened and heat resistant (10x10cm, 7mm thick). Price shown is per individual coaster.
Individual Glass Coaster. Elegant polished safety toughened glass and heat resistant, matching Place Mats are also available
Estimated Image Size (if not cropped) is 5.7cm x 7.6cm (2.2" x 3")
Estimated Product Size is 10cm x 10cm (3.9" x 3.9")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This striking woodcut print, titled "Halt! Halt! Herr Professor. This is not the Haig Convention," is a poignant and powerful image from the French series "Visions de Guerre" by Swiss artist Felix Valloton. Created in the aftermath of World War I, Valloton, who served in the conflict as a source of inspiration for his abstract art, initiated the modern movement in the use of woodcut. In this print, we witness a mortal combat between a French and German soldier, a stark reminder of the brutal realities of war. The title of the print refers to the Haig Convention, a controversial agreement between British and German forces during World War I, which allowed for the exchange of wounded soldiers between the two sides. Valloton's cartoon, however, depicts a violent confrontation that is far removed from the spirit of the Haig Convention. The use of bold lines and stark contrasts in the print underscores the intensity and brutality of the combat. Valloton's "Visions de Guerre" series is a testament to the artist's deep engagement with the horrors of war and his commitment to using art as a means of expressing the human experience of conflict.
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