Glass Coaster : The Blue Moon by Harold Ellis
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The Blue Moon by Harold Ellis
The Blue Moon by Harold Ellis; music Howard Talbot -Touring to Londesborough Theatre, Scarborough, 27th august 1906 - Robert Courtneidges production - Flier in the shape of a Burmese idol (closed). Date: 1905
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Media ID 14408426
© The Michael Diamond Collection / Mary Evans Picture Library
27th Burmese Closed Ellis Flier Flyer Harold Howard Idol Interesting Londesborough Moon Rubens Scarborough Shape Talbot Touring
Glass Coaster
Individual Glass Coaster. Stylish and elegant polished safety glass, toughened and heat resistant (10x10cm, 7mm thick). Price shown is per individual coaster.
Individual Glass Coaster. Elegant polished safety toughened glass and heat resistant, matching Place Mats are also available
Estimated Image Size (if not cropped) is 5.1cm x 7.6cm (2" x 3")
Estimated Product Size is 10cm x 10cm (3.9" x 3.9")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This photograph print showcases a vintage theatrical flier for the production of "The Blue Moon" by Harold Ellis, which toured to the Londesborough Theatre in Scarborough on August 27, 1906. The production was led by Robert Courtneidge, a renowned figure in the early 20th century British theatre scene. The flier, designed in the shape of a Burmese idol, adds an intriguing and exotic touch to the promotion. The closed idol design effectively conceals the details of the production, creating an air of mystery and intrigue. The Blue Moon was a musical comedy with music by Howard Talbot, and it featured the acting talents of Paul Rubens. The production was part of a touring schedule that brought live entertainment to various theatres across the country. The use of a Burmese idol as the flier design was an innovative marketing strategy that likely drew in audiences with its unique and eye-catching appearance. The photograph print offers a glimpse into the rich history of British theatre and the creative ways in which productions were promoted during this era. The intricate design of the flier, with its closed Burmese idol shape, adds an additional layer of intrigue to this fascinating piece of theatre history.
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