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Glass Coaster : Two Views Paris first half 1800s Georges Michel
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Two Views Paris first half 1800s Georges Michel
Two Views of Paris, first half 1800s. Georges Michel (French, 1763-1843). Pen and black ink and brush and gray and yellow wash over graphite; sheet: 18.5 x 30 cm (7 5/16 x 11 13/16 in.); secondary support: 28.7 x 39.6 cm (11 5/16 x 15 9/16 in.)
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 18458994
© Liszt Collection
Black Ink Gray Two Views Yellow Wash 1763 1843 Georges Michel
Glass Coaster
Individual Glass Coaster. Stylish and elegant polished safety glass, toughened and heat resistant (10x10cm, 7mm thick). Price shown is per individual coaster.
Individual Glass Coaster. Elegant polished safety toughened glass and heat resistant, matching Place Mats are also available
Estimated Image Size (if not cropped) is 7.6cm x 4.9cm (3" x 1.9")
Estimated Product Size is 10cm x 10cm (3.9" x 3.9")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print showcases "Two Views of Paris" during the first half of the 1800s, as depicted by renowned French artist Georges Michel. The artwork is rendered using pen and black ink, along with brush strokes in gray and yellow wash over graphite. The sheet measures 18.5 x 30 cm (7 5/16 x 11 13/16 in. ), while the secondary support extends to 28.7 x 39.6 cm (11 5/16 x 15 9/16 in. ). Georges Michel's mastery shines through as he captures two distinct perspectives of the enchanting city of Paris during this transformative era. Through his skilled use of various mediums, he brings life to these views, evoking a sense of nostalgia and wonder. The intricate details within each stroke transport viewers back in time, allowing them to experience the bustling streets and iconic landmarks that define Paris' rich history. From its charming architecture to its vibrant atmosphere, every element is meticulously portrayed. As we gaze upon this remarkable piece from Liszt Collection, we are reminded of Michel's artistic brilliance and his ability to encapsulate not only physical landscapes but also emotions within his work.
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