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Glass Coaster : Study Cab Front Left Wheel Coach Head Crowned Figure Seated

Study Cab Front Left Wheel Coach Head Crowned Figure Seated




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Liszt Collection

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Study Cab Front Left Wheel Coach Head Crowned Figure Seated

Study for Cab and Front Left Wheel of Coach and Study for Head of Crowned Figure Seated on Top of Coach. Edward Tennyson Reed (British, 1860-1933). Graphite; sheet: 29.5 x 30.2 cm (11 5/8 x 11 7/8 in.)

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 18459224

© Liszt Collection

Coach Study Edward Tennyson Reed


Glass Coaster

Individual Glass Coaster. Stylish and elegant polished safety glass, toughened and heat resistant (10x10cm, 7mm thick). Price shown is per individual coaster.

Individual Glass Coaster. Elegant polished safety toughened glass and heat resistant, matching Place Mats are also available

Estimated Image Size (if not cropped) is 7.6cm x 7.6cm (3" x 3")

Estimated Product Size is 10cm x 10cm (3.9" x 3.9")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) or portrait (vertical) orientation to match the source image.


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> Arts > Artists > R > Edward Tennyson Reed

> Arts > Realistic drawings > Graphite art > Fine art


EDITORS COMMENTS
This print from the Liszt Collection showcases a remarkable study by Edward Tennyson Reed, a talented British artist from the late 19th and early 20th centuries. The artwork focuses on intricate details of a cab's front left wheel, coach, and an enigmatic crowned figure seated atop it. Rendered in graphite on a sheet measuring 29.5 x 30.2 cm, Reed's meticulous attention to detail is evident in every stroke of his pencil. The composition exudes elegance and grandeur as the viewer is drawn into the world of horse-drawn carriages. The study captures the essence of Victorian-era transportation with its beautifully crafted coach and ornate wheel design. The crown-wearing figure perched atop adds an air of mystery to the scene, leaving viewers intrigued about their significance or role within this aristocratic setting. Reed's mastery lies not only in his ability to depict mechanical elements but also in capturing human form and expression. This particular work serves as both a technical exercise for capturing various angles and perspectives while showcasing his skill at portraying facial features with great accuracy. As we delve into this mesmerizing image, we are transported back in time to an era where horse-drawn coaches were symbols of prestige and luxury. Edward Tennyson Reed's study invites us to appreciate the artistry behind these magnificent vehicles while pondering upon the enigma presented by that crowned figure seated above them all.

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